Croatian Organizations

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Croatian Organization Near Me - CroatiaFest
CroatiaFest Seattle, WA
Cultural, Non Profit
CroatiaFest’s mission is to promote and preserve Croatian culture and to educate future generations of Croatian Americans and the general public with the richness and beauty of Croatian Culture and Croatian American contributions to the building of the United States of America. CroatiaFest is a federally approved non-profit 501(c)(3) organization.
Cultural, Non Profit
The Croatian Cultural Center of Chicago was organized to promote and preserve the exchange of Croatian heritage, culture and language. Established in 1974, the non-profit organization was launched by community leaders to fulfill the need for ethnic awareness in the region. Located in Rogers Park, one of the nation's most diverse communities, the center has served as an ideal base for members of the community, hosting a variety of celebrations, banquets, concerts and educational events annually. Today, the center is integrated with various Croatian academic, cultural, religious, business and social organizations, including the Croatian language-school Hrvatska Skola, the tambura and dance group Hrvatska Loza (Croatian Vines), Croatian language-radio Radio Slobodna Hrvatska (Radio Free Croatia), the Hrvat Youth Soccer team and Leteci Andjeli soccer team. The center also participates in partnerships and opportunities with the Embassy of the Republic of Croatia, the General Consulate of the Republic of Croatia, the office of Mayor of Chicago, Cook County government officials and other community organizations.
The Slavonic Mutual and Benevolent Society was founded in San Francisco in 1857 by Croatian immigrants, primarily from the Dalmatian coast of Croatia. Until 1975 the Society was based on fraternal membership, a type of organization with a long tradition among Croatians from Slavonia, Dalmatia, Istria, Croatia Proper, Hercegovina and Bosnia. After 1975 membership was opened to women reflecting the cultural diversity and cultural interests of the larger San Francisco Bay Area community. In 1979 the dream of a physical home was realized, and the Croatian American Cultural Center on Alemany Street opened its doors, as a center to share the rich cultural heritage Croatia. The scope of programs broadened and the Center has become an important gathering place for enthusiasts of Croatia and other Slavic music and dance, and recent immigrants as well as long time members. For more than 150 years the SMBS/Croatian American Cultural Center of San Francisco has welcomed men and women from Croatia, other Slavic regions and beyond. It all started in 1857 along the San Francisco Waterfront, where a community of immigrants from the Dalmatian coast had settled and established coffee houses, restaurants, saloons and produce stores. In fact, by 1875, at least forty percent of the coffee houses and twenty percent of the restaurants on the Waterfront area were owned by men of Croatian-Dalmatian origin. In 1857 the organization was formalized and opened its doors as the Slavonic Illyric Mutual and Benevolent Society, later shortened to the Slavonic Mutual and Benevolent Society, or SMBS. In these early days, the purpose of the society was fraternal and benevolent, that is, it provided financial aid for those who needed it, a post office box for itinerant workers to send and receive mail, a graveyard plot, various kinds of insurance, and more important, a networking base for newcomers and old-timers to exchange business, homelife and social affairs information. Such organizations were common during this time; there were a number of them right in San Francisco — the Blato (Korcula) Club, the Brac Club, etc., mostly organized around a particular region. The complexities of politics in the region made a mark on how these societies developed in the United States. Through the end of the 19th century and the early 20th century, the Society played an important role in providing insurance and social contact when the need was great. But the world was changing and so were the SMBS members. These smart and industrious people prospered quickly in the United States and had less need for material benefits. Their children assimilated into local culture. The end of World War II brought another wave of immigration. And with the growth of government social services and other insurance in the United States, material help for the members became less necessary. By 1965, membership had dwindled to 180, down from 650 members in the 1870s; attendance at meetings was twenty at the most. But those faithful members rallied together to realize a longtime dream, a permanent home. This small group pooled their skills and their financial resources and many years of patient work until the Croatian American Cultural Center opened its doors on March 24, 1979 on the corner of Alemany and Onondaga Avenues in San Francisco. The Center has become a focal point for the many cultural events and activities through the years. While the building plans were proceeding, some members felt it was a good time to review and revise the mission. Adam Eterovich, who has been influential in the SMBS in innumerable ways, took the dramatic and controversial step of suggesting that women be allowed to join. He has this to say: “We unfortunately lost some of our social purpose because you have unemployment, social insurance, grave insurance, you have everything [provided by other sources]. So when that purpose got lost, I think sometimes we wander.” 1975 was a big turning point when the by-laws were changed to admit women and people of other nationalities. Membership quickly jumped to 400. The Society clearly benefited from the new blood, new ideas, creativity and energy offered by the expanded membership. Another major innovation was the formation of the Cultural Committee by Adam Eterovich and John Daley in 1985. Under John Daley’s leadership the Croatian American Cultural Center has become a focal point in the San Francisco Bay Area for Slavic music, dance and culture, and has been recognized through major grants, awards and invitations to the performing groups sponsored by the Committee.